Living Together in Harmony?

Are you ready for some Harmony?

If my HP-related feeds this morning are any indication, JK Rowling’s latest bombshell is the spark that could re-ignite the fandom. What was the bombshell, you ask? Just that little tidbit that she now regrets the Ron/Hermione relationship.

According to those who participated in the HP fandom pre-Deathly Hallows, the “Shipping Wars” made the infamous “Snape Wars” pale by comparison. According to Morgoth (founder of the Chamber of Secrets forum), reading through Shipping War threads was like reading lengthy dissertations in which even the footnotes had footnotes.

So what’s with the “Harmony” at the top of my message? It’s the name of the Harry/Hermione ship. Followers of this ship are known as “Harmonians.” JKR just give this ship new life. No, she didn’t come out and say that Hermione should have ended up with Harry, but that IS how the Harmonians will read it.

Last night at supper, I was in the process of saying to my husband, “And this is just sooooo irresponsible. JKR knows about the Shipping Wars. She knows what happened the last time Harry/Hermione was on the table.”

And then, in mid-sentence, I stopped and turned around and said… “But wait. All the forums are closing. There’s really NO PLACE anymore for engaging in a Shipping War. What if…. What if this is all just a ploy to bring back the forums? What if she did this just to give fans something to buzz about?”

One little comment re-opens the Shipping debate… and also sparks questions about “What constitutes canon?” Will those Hermione/Ron shippers who have been so certain that any random utterance out of JK Rowling’s mouth is canonical gold still believe that point now that she has demolished their ship with a single random utterance?

Anyway, get ready for the fireworks. It looks now like the Chamber of Secrets may not be closing…

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Still Waiting for Pottermore? – Here’s More DH2

I’ve got about 40 minutes until my potion finishes brewing, so… okay, where were we before I got sucked into Pottermore? As I recall, we were discussing DH2. And I still had a few things left to say.

For me, the movie “worked” all the way up until the final battle with Voldemort. Thankfully, it had worked in a big way to that point from the moody opening, with Snape on the balcony and Harry at Shell Cottage, through the tense conversation with Aberforth, through the the look of heartbreak on Snape’s face when he realizes he must duel McGonnagall (not to mention his quick-thinking in taking out the Carrows and leaving Hogwarts to McGonnagall), all the way through the Battle of Hogwarts, the Pensieve memories, and King’s Cross.

I cried when Hermione blasted Fenrir off the dead body of Lavender Brown, her former rival for Ron’s affections. I cried when Aberforth announced his return to the fight by casting a powerful Patronus. I wept, like everyone else, over the fallen heroes in the Great Hall… and then over Snape’s memories in the Pensieve and Harry’s walk into the Forest.

The first three times I saw the film, though, I did not cry over Snape’s death. I just sat there with my mouth hanging wide open, hyperventilating. Curiously, a few friends who do not like Snape did find themselves crying… and then hated themselves afterward. LOL.

On the fourth viewing, I finally did cry. I think maybe it was because the theater was nearly empty. Snape is the character who resonates most with me, and so his death is the one that is most personal to me. I think I probably just needed some time alone in order to really let loose. And when I finally did, I cried so hard that my eyes were burning with the salt of my tears!

But enough of Snape for now, what I really want to talk about is the big VoldyBattle.

I suppose that any moviegoer would prefer a running-around-the-castle-Wizard Battle over a Harry talk-a-thon. BUT the problem with the sequence for me is that it creates the misperception that Harry could actually match Voldemort in power and skill. I mean… Srsly?

In the book, Harry wins because he understands the situation (the Elder Wand belongs to him) and because he sacrificed his life in the Forest to kill the scarcrux… not because he’s more powerful or more skilled than his antagonist. As a consequence of Harry’s sacrifice, Voldemort really can be killed. All it takes is for Harry to cast a disarming charm at the same moment that Voldemort casts a killing curse. The Elder Wand will do the rest.

Now, none of this is to downplay the significance of what Harry has done. In going into the Forest, he becomes a truly great man, a sacrificial figure, a young man willing to lay down his life in order that the Wizarding World might live. That, imo, is of far more significance than wizarding power or skill.

But the film plays up power and skill – matters in which Harry cannot begin to match Voldemort – and downplays the sacrificial significance of Harry’s walk into the Forest. Though I understand some of these choices from a cinematic standpoint, this is one matter in which I think the film does the book a disservice.

The point is not that Harry wins because he has power. The point is that he wins because he has love.

Well, my potion has finished brewing, and I was supposed to get House points, but the system logged me out, and I didn’t get the points.

(Funny how I never fail to lose points when I melt a cauldron but never seem to gain points when I successfully complete a potion. Argggggg. There’s Beta for you!)

Anyway, I’ve finally said everything I have to say about DH2. So next stop for those waiting is to start in on the Random Re-read. First chapter up is the first chapter in PoA: “Owl Post.” Should be fun!

Waiting for Pottermore: The Movie!

Well, a third set of Pottermore emails went out today, and I didn’t receive one. So I took the cue from my Waiting for Pottermore Top 10 List and went to Tyson’s Corner tonight to see the very last IMAX 3D showing of Harry Potter and the Deathly Hallows. To tell the truth, it’s better in 2D. But hey, I didn’t have to wait as long to see the 3D version, and it was a rather intimate showing of the film.

Anyway, while I’m off busily writing about DH2, I thought you might find a way to entertain yourselves with this little movie. Enjoy!

ETA: OMG! GMTA!!! I just discovered that The Last Muggle posted this same video yesterday! But I solemnly swear I didn’t steal it from her. I found it in a social group on CoS.

The Silver Doe

“The Silver Doe” is one of my favorite chapters in the entire Harry Potter series. Here is a short tribute piece that I wrote as part of the Gryffindor entry for the Chamber of Secrets Forum Holiday Calendar:

The Silver Doe
December 26, 1997

“Expecto Patronum” the man whispered, and a bright light burst forth from the tip of his wand, taking the form of a doe.

He had never before seen her illuminate a darkness so profound, and the brilliance of the Patronus recalled to his mind those near-forgotten words from early youth: Et lux in tenebris lucet. The light shines in the darkness.

He gazed on her longingly, wishing he could cling to her light. But this was no time for sentimentality. He had a job to do. And if he failed to do it, an even deeper darkness would descend.

He, a Slytherin, had been entrusted with carrying the Sword of Gryffindor to those who could rightly wield it – the Sword which now lay secure at the bottom of the frozen pool as the Patronus stood before him, awaiting his guidance.

He had a plan, he’d told the portrait, but would the boy follow? Only two days before, word came to him that the great snake had forcefully sunk her fangs into Potter’s arm. Apparently, though, the boy had recovered sufficiently to apparate into these woods – evidence, no doubt, that Miss Granger’s resourcefulness had, as always, served Potter well.

But what of Weasley? Dumbledore – for reasons he had yet fully to apprehend – had faith that Weasley and Granger both were the proper companions to help Potter accomplish whatever task he had been assigned. Perhaps he was correct. Even Longbottom had recently shown the valor for which his House was known, leading an admirable, if ill-fated, raid to steal Gryffindor’s Sword from inside the Headmaster’s office.

He scrutinized the doe’s soft, luminous eyes as moisture filled the rims of his own, and he released her to wander in search of the boy.

***

In happier times – not that any of his times had ever been especially happy – but in times less dire perhaps, he had often spent the night after Christmas lounging in a plush staffroom chair, playing Wizard Chess with Minerva before the fire.

She hated him now. All his old colleagues did. And best that it be so. It would not do for any of them to hesitate in thinking him a murderer, a traitor, a coward. It was their best protection… and his.

And so he stood under a Disillusionment Charm behind the treeline on the night after Christmas – watching and waiting for the boy in the frigid dark.

Here’s Your Deathly Hallows on IMAX

Click to see Severus Snape walking through the AWESOME gate

“These are dark times, there’s no denying”

I saw it this morning, in the IMAX theater at Tyson’s Corner. And, in a word, it was AWESOME!!! (like the WB promo shown above)

It’s hardly a secret that Deathly Hallows is my favorite Harry Potter book. It’s also not a secret that I found the Half-Blood Prince movie… disappointing.

In HPB, the filmmakers wasted precious time burning the Burrow, when they could have been giving us another Pensieve memory of Tom Riddle’s family background or some additional face time with the Half-Blood Prince’s Potions book.

I feared that, given the complexity of the DH narrative, director David Yates and screenwriter Steve Kloves would trash the story, chop it up, render it incomprehensible in an attempt to simplify it for movie-only viewers. I wondered if, in the end, moviegoers would understand who Dumbledore was, who Snape was, and how the twin themes of redemption and remorse that play out in these men’s lives ultimately help Harry confront Voldemort with the things the Dark Lord doesn’t understand.

Well, we won’t know the answer to that question until we reach the end of DH2. But DH1 gives me good reason to hope that the filmmakers will capture much of the richness of this narrative… and offer up a successful resolution to the Harry Potter saga.

For me, the DH movies carry the biggest stakes because they also carry the most profound part of Harry Potter’s story. I already knew going in to DH1 that the split would occur at Dumbledore’s tomb. And I knew just from watching the trailers that DH1 would include both Malfoy Manor sequences, the 7 Potters, Bill and Fleur’s wedding, the infiltration of the Ministry of Magic, the splinching scene, Ron’s confrontation with Harry, at least some of the visit to Godric’s Hollow, the destruction of the locket horcrux, the visit to Xenophilius Lovegood, and Voldemort’s retrieval of the wand.

Here are some other elements that I was hoping to see in DH1:

  • Dudley’s attempt to reconcile with Harry
  • Kreacher’s Tale (including a flashback to the Cave and Regulus’ heroism)
  • Some of Dumbledore’s backstory (and Harry’s struggle to come to grips with it)
  • Hermione’s conversations with the portrait of Phineas Nigellus Black (including a flashback of Snape catching Neville, Ginny, and Luna trying to steal the Sword of Gryffindor)
  • Harry’s dialogue with Ron after Ron confronts his fears and destroys the locket horcrux
  • Grindelwald’s refusal to betray Dumbledore’s possession of the Elder Wand to Voldemort
  • The Tale of the Three Brothers

Okay, so one of those wishes came true. But we missed Dudley, most of Kreacher’s Tale, nearly all of Dumbledore’s backstory, Phineas’ portrait, and (alas) Harry’s awesome “I thought you knew.”

I understand some of those decisions. Really, I do. Flashbacks would have dragged out the film (no matter how gratifying I find those strands of plot to be). And Dumbledore’s backstory can be covered more fully in DH2 at the Hogs Head and in King’s Cross.

But why not include the Dudley scene or Phineas’ portrait or Harry’s dialogue with Ron? And why, WHY, WHY violate the character of Gellert Grindelwald? (more on that in another post).

Regardless, the movie overall does about as fine a job with DH1 as I could have hoped. Here are some of the highlights:

  • An absolutely wrenching scene (told, not shown, in the book) in which Hermione obliviates her parents
  • Nearly the entire opening sequence at Malfoy Manor – with stunning performances by Alan Rickman, Jason Isaacs, and – really – the whole Death Eater cast
  • A truly creepy Bathilda Bagshot sequence
  • A beautiful Silver Doe/Retrieval of the Sword sequence – almost exactly as I had pictured it
  • The Tale of the Three Brothers – an EPIC WIN animation – including a narrative containing, I think, every word in the story

And of course, it sure didn’t hurt to be viewing all of this on an IMAX screen. I’ll be back later with a bit more analysis. But for now, I’ll just say that, overall, this film is TEH AWESOME!!! (And I wasn’t saying that after the last one).

A Happy Potter Halloween

October 31 is without question the most important single calendar day in the Harry Potter series. Voldemort murdered Harry’s parents on October 31. And significant events occur on each of Harry’s first four Halloweens at Hogwarts.

Months ago, I wrote a post when the PS/SS re-read reached Harry Potter’s first Halloween Feast. Here’s a recap of that recap:

Halloween 1981. Probably the most important event in the series occurs on this Halloween – the murder of James and Lily Potter. With their murder, Harry Potter was orphaned, he acquired his scar (which is not merely a scar – but a piece of Voldemort’s soul), and as a result he became the “Chosen One” – the only one capable of destroying Voldemort.

But in addition to the impact on Harry, the deaths of Lily and James compelled a despairing Severus Snape to devote the remainder of his life to helping Dumbledore protect the Potter boy… and drove Wormtail to frame Harry’s godfather Sirius for the “murder of Peter Pettigrew” and a street filled with Muggles. Basically, this is the day that changed the lives of several of the major players.

Halloween 1991. Ten years after his parents’ murder, Harry spends his first Halloween at Hogwarts. At this point in the series, there’s no indication that Harry is aware that his parents’ deaths occurred on October 31. The Halloween Feast, though, is ruined by Quirrell’s famous “Troll in the Dungeons” announcement. Harry and Ron save Hermione from the troll, who has gone into the girl’s bathroom – thus starting the Trio’s friendship.

Meanwhile, in an attempt to keep an eye on Quirrell and head him off at the Philosopher’s Stone, Severus Snape goes into the corridor where Fluffy is guarding something. For his efforts, his Fluffy mangles his leg, awakening Harry’s suspicions of Snape.

Halloween 1992. Harry and the Trio are asked by Nearly Headless Nick, the Gryffindor ghost, to come to his 500th Death Day Party. Harry hears a voice (actually, the Basilisk speaking Parseltongue), and the Trio come face-to-face with the first attack by the “Heir of Slytherin.”

Halloween 1993. Harry is not allowed to go to the first Hogsmeade weekend. Instead, he has tea with Professor Lupin. When Snape brings Lupin his Wolfsbane Potion, Snape becomes suspicious of Lupin having Harry alone with him – fearing that Lupin is trying to hand Harry over to his school friend, the escaped “murderer” Sirius Black.

During the Halloween Feast, Sirius attacks the portrait of the Fat Lady, trying to force his way into Gryffindor Tower. In doing so, Sirius ends up wrongly confirming Snape’s suspicions about Lupin. Sirius’ actual co-conspirator is Hermione’s cat!

Halloween 1994. Harry’s name comes out of the Goblet of Fire, making him the fourth champion in the Triwizard Tournament.

In later years, Halloween is not so clearly delineated. We don’t know exactly what happens on Halloween during the Umbridge era. All we know is that during the weekend after Halloween, Harry and the Weasley twins get a “lifetime ban” from Quidditch. What happens in 1996 and 1997 is something of a mystery.

Harry finally gets a good look at Halloween 1981 on December 24/25, 1997 – after his ill-fated trip to Godric’s Hollow. Nagini’s bite, and Harry’s subsequent delirium, cause him to “see” the attack on through Voldemort’s eyes.

Have a Happy Potter Halloween!

Torn Pillowcase

Back in the 1960s, Irish novelist Brian Moore published a Cold War thriller called Torn Curtain – later turned into a Major Motion Picture by Alfred Hitchcock. I don’t know what that really has to do with Dobby’s torn pillowcase except to say that both refer to torn fabrics, and both deal with undercover spy work.

Yes, little Dobby the House Elf is something of an undercover spy.

Nobody asked him to go undercover (and he’s going to have to punish himself something fierce for it), but he has spied on his own master and is working at cross-purposes to his master’s will. To use Cold War lingo, Dobby has defected to Harry – at least in his affections. And his unsought (and unappreciated) efforts come at great danger to himself.

After Dobby learns of the threat to Harry Potter (the hope, apparently, not only of the Wizarding World but even of the House Elves) he cannot keep silent. He must warn the Boy Who Lived. His warning, though, is unwelcome. After all, he’s telling Harry that he must not return to Hogwarts… and Dobby resorts to extreme measures to prevent Harry’s return – even to the point of stealing letters from Ron and Hermione and wrecking the Dursleys’ dinner party by splatting the pudding on the floor.

I don’t know how anybody else reacted, but my first encounter with Dobby came in the CoS movie… and I found him really annoying. It was shocking and uncomfortable to watch him punish himself – and make so much racket that Harry was bound to get into trouble. And then, of course, there were the really unscrupulous matters of the letters and the pudding.

But Dobby’s punishments and his tears on being treated as an equal also gave me some measure of sympathy for him. And in the end, when we find out who Dobby’s master is and the dimensions of the plot endangering Hogwarts, Harry’s final act of compassion towards Dobby becomes quite gratifying.

So… what do we learn from Dobby’s warning?

  • For months, Dobby has known that there is a plot to make “most terrible things” happen at Hogwarts, and that these terrible events will endanger Harry. (Judging by Dobby’s remarks, Harry is not the specific target, but he could still become a victim.)
  • Dobby believes that Harry is too important for the future of the Wizarding World to be allowed to endanger himself
  • The plot, Dobby claims, does not derive from Voldemort – but the Elf’s inability to speak against his master and his simultaneous inability to tell the dimensions of the plot lead us to infer that the plot derives from Dobby’s (currently unknown) master
  • Dobby speaks of “powers Dumbledore doesn’t… powers no decent wizard….” Horcruxes!!! Yes, the first unnamed reference to Horcruxes comes from Dobby.
  • Dobby believes the danger is grave enough that he levitates the Dursleys’ pudding to the ceiling and drops it on the floor in order to bring down the wrath of the Dursleys on Harry

The end result is that Harry is imprisoned in his room as Hedwig has been imprisoned in her cage! He’s being starved, and things are looking pretty bleak, when the Weasleys arrive with a deus ex machina. And yes, it literally is a machine!

Here’s how the kitteh’s LiveTweeted Cos, Chapter 2.

Ickle Firsties Take On the Hogwarts Staff

“We’re nearly there,” [Ron] muttered suddenly. “Let me think – let me think . . .”

The white queen turned her blank face toward him.

“Yes . . . ” said Ron softly, “it’s the only way . . . I’ve got to be taken.”

“NO!” Harry and Hermione shouted.

“That’s chess!” snapped Ron. “You’ve got to make some sacrifices! I take one step forward and she’ll take me – that leaves you free to checkmate the king, Harry!”

“But – ”

“Do you want to stop Snape or not?”

So far, we’ve talked about the tasks and what they reveal about the House Heads and their Houses. But we haven’t focused much yet on what the tasks show us about the Trio. And there are actually 2 Rounds of encounters before the Trio even meets up with Fluffy and descends through the trapdoor.

Round 1: The adventure begins in the Gryffindor Common Room, when Neville tries to prevent the Trio from creeping out through the portrait hole. Hermione shows her excellent spell work by putting a “Petrificus Totalus” (Full Body-Bind) curse on Neville (foreshadowing many later uses of Petrificus Totalus: most memorably, Draco on Harry on Hogwarts Express, Dumbledore on Harry during Dumbledore’s death scene, Voldemort on Neville before Neville slays the snake). Round 1 goes to Hermione.

Round 2: The Trio encounter Peeves, who will of course make enough racket to get them caught roaming the halls at night. Harry ingeniously mimics the Bloody Baron from under his Invisibility Cloak. Round 2 belongs to Harry.

Round 3: The Trio meet up with Fluffy. Getting past the 3-headed beast is a collaborative effort. Harry quiets the dog by playing notes on a flute Hagrid carved for him. Ron opens the trapdoor, Harry goes through the trapdoor first, and Hermione continues blowing on the flute before jumping last. Round 3 belongs to The Trio.

Round 4: The Trio engage in another collaborative effort while tackling Sprout’s Devil’s Snare. Yes, Hermione is the one who recognizes the plant, notices its effects, and conjures the bluebell flames. But it’s Harry who recommends lighting a fire and Ron who reminds Hermione that she can light one without wood. Without Harry and Ron, Hermione would have frozen in panic. Round 4 belongs to The Trio, with some extra credit for Hermione.

Round 5: Flitwick’s Enchanted Keys also require a collaborative effort. However, for the collaboration to work, Harry has to rely on his Seeker skills and demonstrate a potential for leadership in Quidditch. He directs Hermione and Ron on the formation to fly so that he can catch the key he has identified. Round 5, I think, belongs primarily to Harry.

Round 6: Getting through McGonnagall’s Transfigured Chess match is entirely Ron’s task, with cooperation (not really collaboration) from Harry and Hermione. And this is one of the more difficult and risky tasks. So in taking the poll at the bottom of this post, it might be nice to weigh that difficulty and risk when considering Ron’s overall contribution toward saving the Stone. Round 6 goes to Ron.

Round 7: Getting past Quirrell’s Troll requires no effort on Harry’s or Hermione’s part because knocking out the Troll has already been accomplished… by Quirrell.

Round 8: Snape’s Logic Puzzle gives Hermione an opportunity to show her capacity for logical reasoning, and without her, Harry might have been stuck in that chamber forever. Round 8 belongs to Hermione.

Round 9: Dumbledore’s enchantment on Mirror of Erised gives Harry an opportunity to show his strength of character – the strength that helps him trump Voldemort’s attempt to attain the Stone and achieve immortality.  We will discuss the Mirror in more detail in the post after next. But for now, Round 9 belongs to Harry.

The three members of the Trio show, from this very first major confrontation with Voldemort, that they possess an ability to work together as a group – and an ability to step forward with individual skills as needed. This will, of course, have major implications for the Horcrux Quest in DH, as will Ron’s sacrifice in the chess match…

You’ve Got to Make Some Sacrifices

When Ron decides to be “taken,” he decides to risk the possibility of death to keep Snape[sic]/Voldemort from getting the Stone. He does not know if the Queen’s blow will be lethal (and Harry and Hermione seem uncertain that he’s still alive when they move on to the next task). What he does know is, at the very least, it will hurt a lot and knock him unconscious. But the sacrifice is necessary in order to move his friends forward. So he sacrifices himself with that aim in mind.

I could be mistaken, but I think this is the first mention of sacrifice in the books. But it becomes a key theme in the series – as we will begin to understand when Dumbledore tells Harry of his mother’s sacrifice.

Perhaps most graphically, though, Ron’s sacrifice is a foreshadowing of the sacrifice that Harry will be asked to make in DH, when he goes out to meet Voldemort. Once again, it will be a situation in which sacrifice is “the only way” to halt evil from triumphing. And once again, it’s a conscious decision to face death for the sake of something bigger than oneself.

Harry makes his sacrifice in order to prevent Voldemort from attaining immortality. And 6 years earlier, he watched a young boy make the cold, calculated decision to face the possibility of death in order to prevent Voldemort from attaining immortality.

Foreshadowing? Perhaps.

Coincidence? Perhaps not.

And now… let’s have another poll – this time on the Trio’s individual contributions. And let’s discuss your responses in the Comments thread! Multiple choice is possible this time:

An Ounce of Logic

“Brilliant,” said Hermione. “This isn’t magic – it’s logic – a puzzle. A lot of the greatest wizards haven’t got an ounce of logic, they’d be stuck in here forever.”

Snape’s logic puzzle guards the chamber where the Mirror of Erised guards the Stone. And curiously, it is his task, not that of the Deputy Headmistress, that stands right next to Dumbledore’s – perhaps giving an early hint of the extent to which Albus Dumbledore trusts Severus Snape.

Additionally, the logic puzzle wins Hermione’s admiration… and for the first time in the text, we get a hint that there might be more to Snape than what is circumscribed by Harry’s feelings.

But Hermione is also partially wrong. There is magic involved in the task… just not in the solution to the puzzle.

More Magic Than Advertised

The Trio is trapped in a chamber – between purple flame on one side and black flame on the other. The flames, obviously, were conjured by a spell Snape cast.

There are 7 bottles, 5 of which contain wine or poison – concoctions that can be created by Muggles. However, the 2 bottles that will actually get the drinker through the magically-conjured flames contain potions that could only have been brewed by persons with magic powers.

Rowling herself makes this clear in the following Q&A:

Q: Can Muggles brew potions if they follow the exact instructions and they have all the ingredients?

Rowling: Well, I’d have to say no, because there is always … there is a magical component to the potion, not just the ingredients. So, at some point you’re going to have to use a wand. I [have] been asked what would happen if a Muggle picked up a magic wand in my world. And the answer would probably be something accidental … possibly quite violent. Because a wand, in my world, is merely a vehicle — a vessel for what lies inside the person.

[snip]

But, you’re right. Potions seems, on the face of it, to be the most Muggle-friendly subject. But there does come a point where you need to do more than stir.

So potions are part of magic. They are not created by mechanically brewing the right ingredients in the right proportions. They involve the use of a wand. And even if a Muggle were to put the same ingredients into a cauldron in the right proportions at the right temperature for the right amount of time, the end result would still not be the right potion.

The task, then, does involve more magic than Hermione lets on. Magic flames guard the doors, and magical potions get the drinker through those doors. But a maze of non-magical logic guards the potions that conquer the flames.

The Logic Puzzle

Snape’s logic puzzle is solvable. In fact, we’ve been discussing the solution in the Comments to the previous post.

Mad, one of the commenters, has pointed out an elaborate solution at the Harry Potter Lexicon. Iggy and I have discussed our solutions, and I have written up the details of my solution on a page here called “Solving Snape’s Logic Puzzle.” (If you take that link now, you can skip down this page to A Slytherin Task? when you return).

The poster at HPL, Iggy, and I all arrived at the same solution, by the way. But before we discuss the solution, let’s first take a look at the puzzle itself!

Danger lies before you, while safety lies behind,
Two of us will help you, whichever you would find,
One among us seven will let you move ahead,
Another will transport the drinker back instead,
Two among our number hold only nettle wine,
Three of us are killers, waiting hidden in line.
Choose, unless you wish to stay here forevermore,
To help you in your choice, we give you these clues four:
First, however slyly the poison tries to hide
You will always find some on nettle wine’s left side;
Second, different are those who stand at either end,
But if you would move onward, neither is your friend;
Third, as you see clearly, all are different size,
Neither dwarf nor giant holds death in their insides;
Fourth, the second left and the second on the right
Are twins once you taste them, though different at first sight.

Okay, my eyes glaze over with bad verse (and sorry, but whatever else he is, Severus Snape is not a master versifier).

But when I finally managed to get my eyes in focus, here’s what I took away from the first half of the poem: one bottle will move you ahead (line 3), one will send you back (line 4), two hold nettle wine (line 5), three hold poison (line 6). Or, as Hermione sums it up quite succinctly:

“Seven bottles: three are poison; two are wine; one will get us safely through the black fire, and one will get us back through the purple.”

And, of course, if you don’t make a choice, you’re stuck in the chamber forever between the purple flame and the black. Nice.

Now, let’s look at the clues that help Hermione make her choice.

  1. There is always poison to the left of nettle wine (lines 9-10)
  2. The bottles on either end of the line contain different contents, but neither will move you forward (lines 11-12)
  3. The smallest and largest bottles do not contain poison (lines 13-14)
  4. The second from the left and the second from the right are housed in different-sized bottles, but they hold the same contents (lines 15-16)

I’m going to cut to the chase and offer my solution right now:

1 2 3 4 5 6 7
Poison Wine x y Poison Wine Backward

If you want to see how I arrived at this solution (and why there are still unsolved variables in the sequence), you can go to the solution in “Solving Snape’s Logic Puzzle.”

A Slytherin Task?

Severus Snape is, of course, the Slytherin Head of House.

We don’t learn until CoS that Slytherin is associated with Pureblood Supremacy… and we don’t learn until HBP that Snape is not a Pureblood… but the Half-Blood son of a Muggle father. In DH, we also learn that the Muggle slum of Spinner’s End is not merely where Snape sets up shop during the summer. It is the place where he grew up. So where did he acquire his capacity for logic?

If most Wizards, as Hermione suggests, don’t have “an ounce of logic,” then Snape most likely acquired his logic before he got to Hogwarts – and most likely as a result of his Muggle background. While logical capabilities and great mental discipline should be crucial for the more scientific aspects of potions-making, most Wizards aren’t any better at potions than they are at logic. In fact, Snape suggests that most students in his class will “hardly believe” that potions are magic.

So potions is probably not what gave him his logic. Logic is more likely what allowed him to excel at potions. (Perhaps he was educated by Jesuits before he came to Hogwarts!)

The traits associated with Slytherin are ambition, cunning, determination, and resourcefulness. So we can expect that in creating the task, Snape would draw on whatever resources were at his disposal, whether they came from the Wizarding World or from the Muggle world.

He draws on his ability to cast spells that conjure flames. He draws on his ability to brew potions that get the drinker through the flames. And he draws on his logical ability to create a puzzle that would snag many Wizards.

Additionally, cunning is at the core of the task. Poison “slyly” hides inside the line. The largest bottle must contain wine (not the potion that moves the drinker “backwards”), while the smallest bottle contains the potion that moves the drinker forward. And of course, using logic to defeat Wizards would be quite nearly the definition of cunning.

Ambition? Snape is the youngest Head of House. He is 32 years old at the conclusion to PS/SS, and he has a strong rivalry with Minerva McGonnagall – his own former Transfiguration Professor and the Gryffindor Head of House. I can imagine Snape designing his task not only to protect the Stone but also to compete with hers.

A Turning Point

The logic puzzle also serves as a bit of a turning point for Snape’s character.

Up to this point, Snape has been presented primarily as the Professor Harry hates and suspects. Yet right here, in the midst of the Trio’s journey into the bowels of Hogwarts to protect the Philosopher’s Stone (from… Snape! [sic]), we learn that the Potions Master is a man of skill and intellect – not just a one-dimensional villain. He is a man whose task Hermione deems “brilliant.”

Snape’s brilliance puts some flesh onto the man… and that flesh subtly begins to humanize him for the audience… just in time for the big reveal that will occur just beyond the black flame.

So what do you think? Where did Snape get his logic? What Slytherin qualities do we see in this task? What do we learn of Snape? What did I miss?

Shall We Play a Game?

They were standing on the edge of a huge chessboard, behind the black chessmen, which were taller than they were and carved from what looked like black stone. Facing them, way across the chamber, were the white pieces. Harry, Ron and Hermione shivered slightly – the towering white chessmen had no faces.

“Now what do we do?” Harry whispered.

“It’s obvious, isn’t it?” said Ron. “We’ve got to play our way across the room.”

As a Wizarding Chess afficionado, Ron quickly figures out that the giant chess pieces they encounter in Professor McGonnagall’s task have been transfigured into the moving, “living” pieces of Wizarding Chess. He quickly deduces that the three of them will have to take the places of black chess pieces and confirms this with one of the black knights:

[Ron] walked up to a black knight and put his hand out to touch the knight’s horse. At once, the stone sprang to life. The horse pawed the ground and the knight turned his helmeted head to look down at Ron.

“Do we – er – have to join you to get across?”

The black knight nodded.

The Task

Unlike Professor Flitwick’s complex task, this one is fairly straightforward – once it’s figured out. The prospective thief has to take the place of a black chess piece and play a successful game of chess. But therein lies the problem. While it takes intelligence to play chess, having intelligence is no guarantee of success.

Chess is a game of strategy, and so it takes a strategic thinker to win at it – someone who can see the big picture, comprehend the implications of the opponents’ moves, and plan moves in advance. In other words, it takes a specific type of intelligence. This is what makes McGonnagall’s task rather brilliant. It narrows the field considerably concerning who would be able to get to the next door. Hermione herself (minus Ron) would likely not have passed successfully through this task.

But Why Is This Task for Gryffindor?

Shouldn’t chess be more of a Ravenclaw specialty? I mean, in RL it is the province of those crypto-Ravenclaws of the Muggle world – Math and Computer geeks. So why should this be the task for the Head of House for Gryffindor?

Transfiguration: Well, the most obvious answer is that the task requires the pieces to undergo Transfiguration spells… and Transfiguration is McGonnagall’s specialty. In fact, it seems that Transfiguration is something of a Gryffindor specialty. Such noted Gryffindors as Professor Dumbledore have specialized in Transfiguration. And several recent Gryffindors (three Marauders and Professor McGonnagall) are known to be capable of making the animagus transformation (not technically Transfiguration, but certainly requiring Transfiguration skills as a prerequisite).

Transfiguration, according to McGonnagall, is among the most “complex and dangerous magic” taught at Hogwarts – the danger, perhaps, being a reason the discipline seems to coalesce around Gryffindor. But thus far (at Hogwarts at least), we’ve seen mainly the lighter side of Transfiguration. We’ve watched Professor McGonnagall transfigure her desk into a pig (and back again), teach her First Years to change a match into a needle, and test them on turning a mouse into a snuffbox. In the chess task, we finally see the more serious application of Transfiguration.

War: Additionally, chess is a warlike game, involving pieces that emulate soldiers crossing a battlefield. The game, in fact, is won by capturing the opposing player’s King. Gryffindor, of course, is the most warlike of Houses – the House that most highly values bravery and chivalry. And McGonnagall’s version of chess creates an aura of battlefield danger, guaranteed to unnerve your average prospective thief.

The white pieces don’t just “take” black pieces. They hit and break them, with strong stone arms:

[The Trio’s] first real shock came when their other knight was taken. The white queen smashed him to the floor and dragged him off the board, where he lay quite still, facedown.


Every time one of their men was lost, the white pieces showed no mercy. Soon there was a huddle of limp black players slumped along the wall.

McGonnagall’s transfiguration transforms a game based on war into an actual simulation of war.

Strategy: Smart as the Ravenclaws are, and crafty as the Slytherins, the best strategic thinker in the series is Albus Dumbledore – who manages the wars against Voldemort like a master moving pieces around the board. While Dumbledore’s Slytherin protegé, Severus Snape, is a brilliant tactician, Snape is not essentially a strategist. And this perhaps shows us something about the differences between Ravenclaw intelligence, Slytherin intelligence, Hufflepuff intelligence, and Gryffindor intelligence.

Ravenclaw is often said to admire abstract, theoretical knowledge. Slytherin admires skill and practical application. Hufflepuff emphasizes an earthy, pragmatic, common-sense approach. But despite its reputation (largely among Slytherins) for reckless action, Gryffindor, perhaps, brings the strongest capacity for strategic thought.

Certainly the evidence for strategy being the most Gryffindorish type of intelligence is a bit thin if we base it entirely on Dumbledore, but if we consider that strategy is the quality most desired in warfare – and martial ability is a huge part of the Gryffindor portfolio – then we perhaps have a more solid circumstantial basis for linking Gryffindor with strategic intelligence.

So What Do We Learn about McGonnagall?

She’s pretty formidable – far more formidable than the no-nonsense witch who sternly greets new students.

Not only does she perform the necessary transfiguration to animate the pieces, she “programs” the white pieces to respond to the black strategy and create a dynamic strategy for defense of the Stone. (Curiously, too, she uses the traditional color scheme of white representing the “good” defenders of the Stone and black representing the “bad” prospective thieves).

Unless there is a ready-made spell that gives transfigured pieces the sort of strategic knowledge necessary to play a human opponent without human assistance, McGonnagall must have chess-expert knowledge of the inner workings of the game in order to give the pieces that ability. (And given that chess is the task she chooses, my bet is that she does.)

Additionally, this simulation of battle foreshadows what we will ultimately see of McGonnagall in the context of a real battle in DH – as she defends Hogwarts against the minions (and assumed minions) of the Dark Lord.

McGonnagall ruthlessly duels presumed Death Eater Severus Snape in one of the corridors of the castle (making it, I think, safe to say that the scary White Queen of Transfigured Chess is a striking symbolic representation of McGonnagall herself). And the actual animation of the chess pieces is a foreshadowing of McGonnagall’s calling on the statues and armor to do their duty and defend the school during the Battle of Hogwarts:

“And now – Piertotem Locomotor!” cried Professor McGonnagall.

And all along the corridor the statues and suits of armor jumped down from their plinths, and from the echoing crashes from the floors above and below, Harry knew that their fellows throughout the castle had done the same.

“Hogwarts is threatened!” shouted Professor McGonnagall. “Man the boundaries, protect us, do your duty to our school!”

Clattering and yelling, the horde of moving statues stampeded past Harry: some of them smaller, others larger, than life. There were animals too, and the clanking suits of armor brandished swords and spiked balls on chains.

“Now, Potter,” said McGonagall, “you and Miss Lovegood had better return to your friends and bring them to the Great Hall – I shall rouse the other Gryffindors.”

That is the quintessentially Gryffindor Professor McGonnagall in the context of war. She takes charge. She defends the school. And she shows no mercy to any she believes would dare overthrow Hogwarts.

[Translation of Piertotem Locomotor: “All do your duty!”]