Pottermore, PoA Chapter 21 (what I’ve found so far…)

DISCLAIMER: This is not exactly a live blog and it’s definitely not a Finder’s Guide. Apparently, I found everything, so…

Here’s what I’ve (DO NOT READ IF YOU DO NOT WANT TO BE SPOILED!)…

CHAPTER 21: HERMIONE’S SECRET

Scene 1 (“Time Turner”)

  • Zoom 1:
    • Now that’s some awesome animation! I’ve never envisioned the Time Turner looking like that before!
  • Zoom 2:
    • Double-click and the doors open, and we see the jewels for the different Houses moving backwards.
    • UNLOCK “Time Turner” (JKR-exclusive content). We learn a lot more about the limitations of time travel in the Harry Potter universe, and JKR reveals why she destroyed the entire stock of Time Turners during the Battle in the Dept. of Mysteries. NOTE: Rowling’s problem arose because she used the “time paradox” trope of time travel. However, since Time Travel itself is a convention, time paradox is not the only way in which Time Travel can play out. But it’s the best trope to use if you need to change the past!
    • COLLECT 5 Galleons.
    • COLLECT Bertie Bott’s Cheese-Flavoured Bean.
    • COLLECT Montrose Magpies badge at base of Ravenclaw statue. (Thanks, Ramona!)

Scene 2 (“Buckbeak’s Rescue”)

Hmmm… this looks an awful lot like “The Committee.” ;)

  • Zoom 1:
    • But since this is the same scene through the Time Turner, there’s new stuff to collect!
    • COLLECT Unicorn Tail Hair.
  • Zoom 2:
    • Hover cursor to get Buckbeak to move his head.
    • COLLECT Dried Billywig Stings.
    • COLLECT a Galleon

Scene 3 (“Prongs”)

Thanks to Let’s Call Me Lily for helping me straighten out the Zooms…

  • Zoom 1:
    • COLLECT a Murlap Tentacle (known for their healing properties).
  • Zoom 2:
    • UNLOCK “Patronus” (JKR-exclusive content).
    • COLLECT Tubeworms.
  • Zoom 3:
    • COLLECT Slimy Seaweed.

Scene 4 (“Sirius and Buckbeak Escape”)

  • Zoom 1:
    • Hover cursor to make Buckbeak flap his wings.
    • COLLECT a Galleon.
    • COLLECT an Owl Treat.
  • Zoom 2:
    • COLLECT Hesper Starkey Chocolate Frog Card. (She studied the phases of the moon in Potions making).
    • Move cursor over top of tower to make an owl fly and ring a bell.

Key to Zoom Levels:
I am using the conventions I’ve seen used elsewhere when discussing Pottermore zoom levels:

    • Zoom 1 = the original zoom level.
    • Zoom 2 = zoom in one level from Zoom 1.
    • Zoom 3 = zoom in two levels from Zoom 1.
    • Zoom OUT 2 = zoom out one level from Zoom 1.
    • Zoom OUT 3 = zoom out two levels from Zoom 1.

Pottermore, PoA Chapter 12 (what I’ve found so far…)

DISCLAIMER: This is not exactly a live blog and it’s definitely not a Finder’s Guide. It’s what I’ve found so far. There’s also probably some stuff I’m missing. :)

Here’s what I’ve found so far (DO NOT READ IF YOU DO NOT WANT TO BE SPOILED!)…

CHAPTER 12: THE PATRONUS

Scene 1 (“Expecto Patronum”)

Nice to finally see a scene that is named after this blog! ;)

  • Zoom 1:
    • COLLECT the Chocolate Frog Card for Andros the Invincible (an ancient Greek Wizard who is supposed to have produced a gigantic Patronus) – in the drawer of the first desk to the left in back of Lupin.
    • UNLOCK “Dementors and Chocolate” (JKR-Exclusive Content) – on the desk in front of where Harry is sitting. There’s not really much content there though.
  • Zoom 2:
    • Move cursor towards Lupin to lock up the boggart.
    • COLLECT 5 galleons – by opening the door to the shelves to the left.
    • COLLECT a Bertie Bott’s Pumpkin-Flavoured Bean – from the drawer to the desk next to the desk with the Chocolate Frog card.

Key to Zoom Levels:
I am using the conventions I’ve seen used elsewhere when discussing Pottermore zoom levels:

    • Zoom 1 = the original zoom level.
    • Zoom 2 = zoom in one level from Zoom 1.
    • Zoom 3 = zoom in two levels from Zoom 1.
    • Zoom OUT 2 = zoom out one level from Zoom 1.
    • Zoom OUT 3 = zoom out two levels from Zoom 1.

Avada Kedavra

I’m still trying to process what I’ve just read, and I’m still not entirely sure what to make of Snape’s Avada Kedavra.

Despite the explanation Snape is given, it’s clear that in Dumbledore’s mind, the killing is part of a larger military strategy. Rowling has said that Dumbledore is somewhat Machiavellian, pulling strings. I would say rather that he is a military general, making hard choices in order to win a war that absolutely must be won. And this brings in the whole question of what is morally acceptable under such circumstances.

For starters, let’s dismiss the idea that this is really a mercy killing. It’s not. Would the man who is willing to drink 10 cups of potion in the cave be afraid of pain and humiliation? I don’t think so. Rather, when he finds out he has only one year left regardless of the outcome of Draco’s plan, he decides that the best course of action is not to fight Draco and the Death Eaters but to plan the strategy for his death.

Here, in a nutshell, is Dumbledore’s strategy:

  • to deprive Voldemort of the Elder Wand’s allegiance
  • to make sure that one of the other Death Eaters sent with Draco does not win the Elder Wand
  • to “prove” Snape’s allegiance to Voldemort so that Snape can become headmaster and covertly protect Hogwarts students from the Death Eaters
  • to protect Draco’s soul

Dumbledore merely uses the “just do me a favor and don’t let it be the werewolf or Bellatrix” argument because he thinks it’s the safest way to ensure Snape’s compliance. But he underestimates Snape. Snape is worried about his own soul. He rebels at the prospect of killing Dumbledore as the time comes closer, and “Spare me pain and humiliation” becomes an insufficient argument for doing the deed. Snape would apparently prefer to die himself when the Unbreakable Vow rebounds on him than have to kill Dumbledore.

So what tactic does Dumbledore use to win Snape over? He lets him in on part of the strategy behind the endgame.

Dumbledore can’t reveal the Elder Wand (or the Horcrux) aspects of the strategy to Snape in case Voldemort is somehow able to break through Snape’s mental defenses. But he believes that he can reveal the final plan for Harry.

I don’t believe for a second that Snape goes along with the plan because it will hasten Harry’s death. He’s visibly horrified at the prospect. What I do think happens is that he finally realizes that this war is a lot bigger than Lily, and that he’s not the only soldier being asked to make terrible sacrifices. Even Lily’s son – presumably the Headmaster’s favorite – will be asked to lay down his life when the time comes.

This would seem to be the moment when Snape begins to think strategically, looking at the bigger picture, rather than just be consumed with his own grief. He doesn’t know Dumbledore’s full plan, but he apparently assumes that the Headmaster’s death must be part of it – just as Harry’s death and his own role as a double agent must be part of it. I think in the end he kills Dumbledore because he trusts that it is necessary to do so in order to defeat Voldemort.

Now for the question of Severus Snape’s soul…

I think it’s fairly clear that Snape’s soul does not suffer further damage from killing Dumbledore. I would argue, in fact, that his better self grows stronger over the following year. His soul begins to rebound:

  • When Neville tries to steal the sword of Gryffindor, what punishment does Snape give him? He sends him into the Forbidden Forest with Hagrid. No Cruciatus curse. No torture devices from Filch. Just a mildly frightening field trip.
  • When the picture of Phineas Nigellus Black refers to Hermione as a mudblood, it is Snape who rushes to her defense, saying “Do not use that word.”
  • In the battle over Little Whinging, when the Death Eater in front of Snape is about to cast an Avada Kedavra at Lupin, Snape aims a Sectumsempra at the Death Eater’s wand hand. It misses. It hits George in the ear. But it does save Lupin’s life. Snape nearly blows his cover in order to save the life of one of James Potter’s friends.
  • And do you think Snape is not aware that Neville is reorganizing Dumbledore’s Army and using the Room of Requirement to escape the wrath of the Carrows? Of course he knows. Yet he allows it to take place right under the Carrows’ noses.
  • And that Patronus he casts in the Forest of Dean? That powerful corporeal doe that Harry recognizes as benign? Do you think that a man with recent murder on his soul could cast such a thing, given that the Patronus is a reflection of the caster’s soul?

Snape killed Dumbledore, yes, but the text appears to argue that he did not commit murder in doing so. It was not done for selfish reasons or with malice aforethought. Rather, he was a soldier fulfilling a crucial mission that resulted in a death. It was not the death of an enemy, but it was a death by consent that was strategically important in order to win a war with satanic evil. Killing Albus Dumbledore did not rip Snape’s soul.

Mark Shea has a very interesting article dealing with the Avada Kedavra and the failure of Dumbledore’s strategy. Actually, I would argue that only part of Dumbledore’s strategy fails – the part involving the Elder Wand. The rest of the strategy succeeds, and in fact Dumbledore’s death may even have provided protection for Draco, Severus, and Harry akin to the protection afforded Harry by his mother’s sacrifice, and to the Hogwarts defenders by Harry’s sacrifice.

Severus Snape is killed by a snake, not a curse, so it’s hard to know what effect Dumbledore’s death might have had against the Killing Curse. But the fact that Snape’s soul appears to rebound in his final year tells me that Dumbledore’s death should be viewed as a sacrifice that had some efficacious effect, not an assisted suicide that marred the souls of the two plotters.

And this opens up a whole slew of questions concerning wartime morality and what is and is not justified. It is acceptable to kill the enemy during time of war. But is killing a commanding officer on his orders in the line of duty for strategic reasons ever morally acceptable? And if so, is it morally acceptable to do so with the incomplete and somewhat inaccurate strategic explanation Snape is given? (ie. Save Draco and don’t let me get eaten or crucio’d) – or does the soldier need to understand the “why” of the order? Is this a form of consequentialism? Is Rowling’s thinking muddied and muddled on these issues?

Even if the killing is evil, I think Catholic readers like myself can legitimately believe that Snape does not commit mortal sin in fulfilling Dumbledore’s orders. Why? Because he is not making a free choice to participate in moral evil. He’s trying to do what’s right in confusing circumstances. Snape’s intractable bitterness is ultimately of more concern to the state of his soul. Of course, not being a moral theologian, I am open to correction on this point.

More thought provoking comments, from the Hogwarts Professor site: “Once Again, The Vigilant Christians (TM) Denounce Harry Potter

Thoughts?

Obsession or Courtly Love?

Back to the question of Snape’s Lily “obsession.” I think a lot of people read this through the lense of 21st century mass media understandings of love and obsession. I find it more likely that Rowling is looking at it through certain Medieval understandings of courtly love – particularly the type of courtly love in which the object of affection is completely unattainable, possibly dead (a la Dante’s Beatrice), and is a type of the Blessed Virgin Mary.

I haven’t been able to find the actual post, but the suspicions I’m having also seem to have been the topic of a discussion a couple of years ago on John Granger’s blog. (Remember, I’m new to the Potter phenomenon. I have some catching up to do). Anyway, here are my initial thoughts on the subject…

On the night Snape begs Dumbledore to protect Lily, his motivation is utterly selfish. He wants her. He doesn’t care who dies (except her of course). And Dumbledore is rightly disgusted.

But then something happens. Lily dies. And as Snape grieves, Dumbledore drags the former Death Eater to the next level of love. He invokes a love for Lily that transcends romantic involvement, asking Severus if he truly loved her (i.e. if he wasn’t just infatuated over her or lusting over her). He invokes a more pure and more selfless love than the crazy, selfish, murderous “love” that first brought Snape to him.

Snape’s initial embrace of protecting Lily’s son – for the sake of this purer love – is halting and resentful. In fact, he’s still struggling with it on the night he kills Dumbledore and in his grief in the House of Black rips the Potter family picture in two and takes the part with Lily. (Harry, the boy he’s been protecting all these years, did just call him “coward”). Despite his struggles, moving toward a more selfless love does keep Snape from throwing away his own life (he wanted to die, remember, when Lily died?), and it gives him a chance to channel his energies toward the good.

A lot of people seem to assume that the Snape of November 1981 speaks for Snape of of all time – i.e., that he’s a static character who never grows. But I personally don’t think we should read too much into the anguish of a 21 year old man who has just lost the only person who has ever meant anything to him. I also don’t think we should read too much into the anger of a 36-37 year old man who has just learned that Dumbledore has been keeping Lily’s son alive in order to fulfill what the headmaster sees as a necessary sacrifice. Snape ultimately accepts even that mission though, assuming that Dumbledore must know what he’s doing, all without knowing that Lily’s son will become the master of death.

Based on my reading, I think it’s clear that Snape comes to care more about Harry than he dares admit either to himself or Dumbledore. On the night when Snape casts the Avada Kedavra on Dumbledore, he parries all of Harry’s attempts at Unforgivable Curses before Harry can complete them. Even in the heat of battle, he tells Harry not to use Unforgivable Curses – partly taunt, but also partly an attempt to keep Harry’s soul undamaged. Even telling Harry that he, Snape, is the Half-Blood Prince is only partly vanity. The other part is a warning to stay away from dark magic.

So my contention is that Snape gradually grows, gradually changes. He can’t change much on the outside because that would tip his hand and make it impossible to fulfill his role as a double agent. And yes, he has a lot of pent-up resentment towards James that spills over into his treatment of Harry. But by the time he dies, he is performing his duty for motivations that could not come solely from a twisted inappropriate love.

And note her name. The lily, in the Western tradition, is the symbol of chastity and purity. It is the symbol of the Blessed Virgin Mary. And the Blessed Virgin Mary is the ultimate symbol behind the courtly love tradition. The doe Patronus IMO shows how far his soul has been repaired from his days as a Death Eater. The doe is a symbol of gentleness, purity of purpose, walking in the light. It was hers. But it has now become his.

Obsession or Redemption?

Paraphrase: Snape is no hero because he only protected Harry out of devotion to Harry’s mother, with whom he never had a romantic relationship.

(from a friend’s email message)

I think my friend is missing a major point. Lily was apparently the first magic person his own age that Severus ever had any contact with. The excitement in meeting Lily is more than a schoolboy crush. It’s a revelation. Finally, here’s another kid who’s like him. He isn’t just a freak, as his muggle father apparently believed. Here’s a lovely innocent girl who can also do wandless magic.

Severus was a lonely, isolated boy – a boy that Harry ultimately considers (along with himself and Tom Riddle) to be one of the “abandoned boys” who found a home at Hogwarts. For Severus, becoming friends with Lily before he ever went to Hogwarts was a way to escape, however briefly, the hell of his hovel in Spinner’s End. At this point, he’s already angry about his muggle father’s abuse, and he lashes out at Petunia. But there’s a real innocence and excitement in his childhood conversations with Lily.

If he had been sorted into Gryffindor (where Dumbledore hints he probably belonged) rather than into Slytherin (apparently his pure-blood mother’s house), his life would have been quite different, and his relationship with Lily might have grown in a more healthy direction. Instead, he falls under the pernicious influence of Lucius Malfoy, his Slytherin prefect.

Now mind you, I’m not Slytherin-bashing. There’s plenty of evidence that good can come out of Slytherin. Witness Snape himself, whom I maintain is one of the three great redemptive heroes in the story. But in 1971, when Snape entered Hogwarts, the house had become a recruiting ground for Voldemort, and young Severus lost his way.

Paraphrase: Snape’s love for Lily is disturbing, obsessive, pathetic, almost John Hinckley-ish. He should have outgrown his Lily obsession years ago.

(from a friend’s email message)

Again, I think my friend is missing a major point. Snape’s bad choices brought about Lily’s death. How can he outgrow that in a mere 16 years? The information that we learn about Dumbledore in the final book is, I think, crucial to understanding Snape. In fact, it is probably this knowledge of Dumbledore’s past that makes Harry finally able to forgive his former antagonist.

Snape is consumed with a guilt for which he is doing a lifelong penance – just as Dumbledore is. The difference is that Snape never has the opportunity to travel nearly as far on the road of redemption and conversion as Dumbledore does. We never get to see what he could have become had he lived.

What, I wonder, was Dumbledore like 10-16 years after the death of his sister? Was he as outwardly genial then as he appears now, nearly 100 years later? Or was he more outwardly haunted, tormented by what he had done? Different personalities, different manifestations of guilt, perhaps. But it’s highly likely that Dumbledore sees himself and the tragedy of his own error in Snape. It’s not for nothing that he likes to give people second chances.

Snape is the rare – possibly the only – Slytherin who can carry the sword of Gryffindor. He is also, according to Rowling, the only person bearing the Dark Mark who can produce a Patronus. That in itself is a testament to the depth of his repentance. He’s not a nice man. Neither was St. Jerome. But he grows tremendously from the night he first begs Dumbledore to protect Lily, swearing that he will do “anything,” to the night he pours out his blood and finally gives his memories to Harry Potter.

I think there is another, even more crucial, point that my friend is missing. For 15 years, Snape believed that the mission was to protect Lily’s son. But then he learns that the real mission is much bigger. Yet Snape continues with the mission over the next year – thanklessly sacrificing Dumbledore to save Draco, infiltrating deeper into Voldemort’s ranks to become Voldemort’s right-hand man, and doing what he can to protect the students of Hogwarts from the Death Eaters – all while believing that Lily’s son will finally have to die to save the world from Lord Voldemort. He could not deliver the message of sacrifice to Lily’s son simply for love of Lily. He could only do that for something much bigger than his own selfish unrequited love.

Snape produces the doe Patronus for Dumbledore approximately one year before his own death. And he can still produce a Patronus after becoming Voldemort’s hand-picked headmaster. By continuing to produce the Patronus, Snape shows that his soul remains unripped by the horrors his double agent role have forced on him. Frankly, I see his Patronus less as a sign of obsessive love than as a desire to return to the childhood innocence he possessed before becoming so horribly corrupted by the Death Eater ideology. His Patronus is a manifestation of the best of him.

Unlike my friend, I count Snape a true hero and believe that Harry’s final assessment of his character is spot-on. In fact, I would argue that the spilling of Snape’s blood seals his redemption, transforming the surly penitent possibly even into a martyr saint – and if not a saint, then surely one of the holy souls in purgatory… though I doubt Rowling (not being Catholic) would quite agree.