Pottermore, CoS Chapter 14 (what I’ve found so far…)

DISCLAIMER: This is not exactly a live blog and it’s definitely not a Finder’s Guide. It’s what I’ve found so far. There’s also probably some stuff I’m missing. :)

Here’s what I’ve found so far (DO NOT READ IF YOU DO NOT WANT TO BE SPOILED!)…

CHAPTER 14: CORNELIUS FUDGE

Scene 1 (“Another Attack”)
The key for Zoom Levels will be found at the bottom of the post.

  • Zoom 1: I’m not seeing anything to collect or discover at this zoom.
  • Zoom 2:
    • UNLOCK “Ghosts” (JKR-exclusive content. Click on the partition, separating Nearly Headless Nick from the petrified students)
    • COLLECT 5 Galleons from the drawer in the table next to Nearly Headless Nick. (Thanks, Let’s call me Lily!)
  • Zoom 3:
    • COLLECT a bottle of SKELE-GRO
    • COLLECT Bezoar (there’s often one of these hanging around in the Hospital Wing. ;) )
    • COLLECT Salamander’s Blood (Thanks, Zara!)

Scene 2 (“Dumbledore is Suspended”)
The key for Zoom Levels will be found at the bottom of the post.

  • Zoom 1: See the pumpkin patch outside Hagrid’s cottage. I’m not finding anything to collect or discover here.
  • Zoom OUT 2:
    • COLLECT Dried Billywig Stings (lots of these around Hagrid’s, aren’t there?)
    • COLLECT Flesh-Eating Slug Repellant
  • Zoom OUT 3:
    • COLLECT Infusion of Wormwood
    • COLLECT Dried Nettles (another standard collectable if you hang out at Hagrid’s)
    • COLLECT Key from the floor inside Hagrid’s hut (but you have to be quick before the door shuts!) (Thanks, FeatherElm!)

Key to Zoom Levels:
I am using the conventions I’ve seen used elsewhere when discussing Pottermore zoom levels:

  • Zoom 1 = the original zoom level.
  • Zoom 2 = zoom in one level from Zoom 1.
  • Zoom 3 = zoom in two levels from Zoom 1.
  • Zoom OUT 2 = zoom out one level from Zoom 1.
  • Zoom OUT 3 = zoom out two levels from Zoom 1.

Is Severus Snape a Sociopath?

The LOST Finale just ate my brain! Consequently, at the moment, I’m more equipped to blog on Benjamin Linus than on the “Nicolas Flamel” chapter in PS/SS. So instead of proceeding mechanically with the re-read, how about I answer some simple questions implied by search terms people have used to land on this blog in the past few days?

Search #1: Is Severus Snape a sociopath?

Short answer: No.

Longer answer: I am assuming that the person who asked this question knows that Snape kills Dumbledore but does not know how the story ends. But if by some weird chance this person is asking the question after reading the series, I suggest doing a re-read and paying closer attention to what Snape is actually doing… not to how Harry is interpreting it! Seriously!

Severus Snape is a flawed and wounded hero with a tormented past. But he is not a man without conscience. He is a man with a very heightened sense of conscience but no externally manifested affection for Harry Potter. And because Harry is not his favorite person, Harry (who is desperate for affection) always thinks Snape is up to no good. However, Albus Dumbledore has, in fact, essentially made Snape his right-hand man, and trusts him “completely.” And despite appearances to the contrary (i.e. Snape killing Dumbledore), Snape never betrays Dumbledore’s trust.

Being completely trustworthy is not something you would ever be able to say about any sociopath. Hence long answer: Severus Snape is not a sociopath.

Search #2: I open at the close

This is the message Albus Dumbledore inscribed on the first Snitch Harry ever caught in a Quidditch match (against Slytherin, of course). The Snitch responds to the touch of Harry’s lips because Harry caught the Snitch in his mouth, and Snitches respond to the touch of the first person who touched them – i.e. the first person that caught them.

In the broader context of the series, this message is telling Harry that he will be able to access what is hidden in the Snitch (the Resurrection Stone) when the time is right – i.e., when Harry is about to meet Voldemort and sacrifice his life.

Search #3: Silver Doe

The Silver Doe is Severus Snape’s beautiful, light-filled Patronus. It is a partner to Harry’s mother’s Patronus and is an external manifestation of Snape’s light-filled soul. The Patronus is so powerful that Harry recognizes instinctively that it is not a product of Dark Magic and chooses to follow it, despite not knowing who it belongs to and despite the perilous circumstances he’s in. The Patronus leads Harry to the Sword of Godric Gryffindor, which Snape has planted in a frozen pool for Harry to retrieve.

Search #4: Harry Potter – 3 Narrative Techniques

I was sick and tired of the person in the books who wore the glasses was always the brainy one and it really irritated me and I wanted to read about a hero wearing glasses.

It also has a symbolic function, Harry is the eyes on to the books in the sense that it is always Harry’s point of view, so there was also that, you know, facet of him wearing glasses.
J. K. Rowling, 2005

3rd Person Limited: The primary narrative technique used in the Harry Potter series is a close 3rd person point of view (or a 3rd person limited point of view), tied to Harry’s consciousness and perceptions – as Rowling indicates in the quote above. Because Rowling uses this technique throughout over 95% of the series, we rarely know more than Harry knows or see more than Harry sees. Because Harry is sane, however, his perception of other characters’ actions should be taken as accurate. For example, if Harry sees Severus Snape disappearing into the 3rd floor corridor, then the reader can safely assume that Severus Snape literally did go into 3rd floor corridor.

But readers do need to be careful about accepting everything Harry believes to be true. He is often wrong in interpreting motives of characters he dislikes (cf. Snape) – as the ending of PS/SS and as “The Prince’s Tale” demonstrate. The difference here between perceiving actions and interpreting them goes something like this: Severus Snape disappears into the 3rd floor corridor (True) in order to steal the Philosopher’s Stone (False). Since the narrative is coming through Harry’s perception and interpretation, the motive he ascribes to Snape of wishing to steal the Stone is stated in the narrative as if it were fact. But it’s not.

Since we see nearly everything through Harry’s perspective, many readers accept Harry’s interpretations without question. This tendency to accept everything Harry believes to be true is what I will call the “Applied Harry Filter.” The “Applied Harry Filter” does not refer to Harry’s perceptions but to readers’ uncritical acceptance of Harry’s interpretations – even those interpretations that are objectively proven to be false.

I have written more on limited point of view on the CoS Forum. Unfortunately, what I wrote was rather seriously misinterpreted elsewhere on the Forum, where a poster claims that I make the case that we can trust nothing that Harry perceives. It’s like being polyjuiced into a Deconstructionist!

Omniscient Narrator: Omniscient narrator point of view is used in “The Boy Who Lived,” “The Riddle House,” “The Other Minister,” and a couple of Snape-centric chapters – “Spinner’s End” and “The Dark Lord Ascending.” An omniscient narrator provides the reader with information that the lead character is not privy to. JKR’s use of omniscient narrator in the Snape-centric chapters, though, is a great example of misdirection. By choosing to describe these scenes from an omniscient point of view, she shows us Snape acting as a Death Eater while offering us no access to Snape’s thoughts. Because we get no access to Snape’s thoughts, we are unaware that he is actually infiltrating the Death Eaters and working against Voldemort. JKR uses omniscient in these instances to create an impression that is actually the opposite of what is occurring beneath the surface.

Narrative Reliability: Unreliable narrator is not a point of view but is a technique that JKR uses occasionally in what I will call “micro-narrations” (i.e. short first-person trips into having another character tell a story). For instance, in one micro-narration, she has one of Snape’s enemies (Sirius Black) describe Snape as having been quite adept at the Dark Arts before ever arriving at Hogwarts. However, there is no evidence in the text to show that what Sirius says is true. When we actually see Snape’s childhood in “The Prince’s Tale,” there is not only no evidence of an interest in the Dark Arts, there is evidence that he does not want to become the type of person who would ultimately be sent to Azkaban. Sirius’ comments on Snape are not reliable – i.e, they cannot be taken at face value. But this does not mean they are untrue – just unverified by the text and unconfirmed by characters who have more objectivity concerning Snape.

Search #5: Expecto Patronum Significance

“Expecto Patronum” is Latin for “I expect a Protector.” In its most basic sense, it is the spell used to conjure a Patronus and protect a person from the Dementors.

In addition, Expecto Patronum is the name of this blog (which is probably why the user landed on this page). And as a huge fan of LOST, I’m thinking of expanding the blog to include commentary on LOST in light of the Finale.

Thankfully, the name Expecto Patronum can readily cover LOST content as well as Harry Potter content. After all, the Island needs a protector. And the native language of Jacob – the Island protector when Oceanic Flight 815 crashes – is Latin.

It works!

Note: I have reorganized and expanded this post to address some distortions of my points on 3rd person limited that have appeared elsewhere.