Fluffy and the Gates of Hell

They were looking straight into the eyes of a monstrous dog, a dog that filled the whole space between ceiling and floor. It had three heads. Three pairs of rolling, mad eyes; three noses, twitching and quivering in their direction; three drooling mouths, saliva hanging in slippery ropes from yellowish fangs.

It was standing quite still, all six eyes staring at them, and Harry knew that the only reason they weren’t already dead was that their sudden appearance had taken it by surprise, but it was quickly getting over that, there was no mistaking what those thunderous growls meant.

In the second episode of the “Midnight Duel” chapter, Draco Malfoy has challenged Harry to, well, what the title indicates – a Wizard Duel, at midnight. Though Harry is worried about pressing his luck by breaking another school rule, he keeps seeing “Malfoy’s sneering face… looming up out of the darkness”… and knows he can’t pass up the opportunity to “beat Malfoy face-to-face.”

Of course, Malfoy doesn’t show up. But he does seemingly let Filch, the caretaker, know that some students will be in the Trophy Room at midnight. In the ensuing chase, Harry and company enter the forbidden 3rd floor corridor and discover the monstrous three-headed dog.

There’s plenty of character development in this episode:

  • Malfoy proves as cowardly as he is malicious.
  • Harry (no matter what) cannot back down.
  • Ron is impulsive and quick-tempered (in fact, he’s the one who speaks up for Harry when Malfoy makes the challenge).
  • Hermione goes into control-freak mode and decides that she just has to prevent the boys from losing Gryffindor any more points… and so follows them out of the portrait hole, “hissing at them like an angry goose.”
  • Neville, again, cannot remember something (in this case, the password), and so has been stuck outside Gryffindor Tower for hours.

Once the adventure starts, neither Hermione nor Neville can return to Gryffindor because he Fat Lady has left her portrait. So instead of two Gryffindors and two Slytherins meeting up in the Trophy Room, there are four Gryffindors (two of whom are not at all happy to be there) and no Slytherins – acting as sitting ducks for Filch and his cat Mrs. Norris.

Of course, the ensuing chase leads Harry and company to flee into the forbidden third floor corridor… and discover the monstrous three-headed dog.

Since JKR was trained in the classics we should assume, of course, that some Greek and Latin myth will wind their way into her tale. The description of the dog is one her first forays into all-out classical myth.

In fact, the three-headed dog is one of the more memorable images from the classics and Western Civilization in general. It alludes to Cerberus – the guardian dog of Hades – whom Hercules must retrieve during his final labor. But beyond the labors of Hercules, Cerberus also makes a memorable appearance in Dante’s Inferno, as a tormentor of damned spirits in Hell:

Cerberus, a beast fierce and hideous, with three throats barks like a dog over the people that are immersed there; he has red eyes, a beard greasy and black, a great belly, and clawed hands, and he scars and flays and rends the spirits. The rain makes them howl like dogs, and the profane wretches often turn themselves, of one side making a shelter for the other.

When Cerberus, the great worm, perceived us, he opened his mouths and showed us the fangs, not one of his limbs keeping still, and my Leader [Virgil] spread his hands, took up earth, and with full fists threw it into the ravenous gullets. As the dog that yelps for greed and becomes quiet when it bites its food, being all absorbed in struggling to devour it, such became these foul visages of the demon Cerberus, who so thunders at the souls that they would fain be deaf.

The way JKR draws the dog has many echoes of Dante’s description. The three-headed dog, then, has overtones of the Hound of Hell (despite Hagrid’s naming the poor misunderstood creature “Fluffy”). And given that symbolism, we could argue (as I would imagine John Granger does) that what’s underneath the trap door is some sort of Underworld – the Hades of Hogwarts, if you will – and that this Underworld is one into which Harry must descend in order to succeed in his first confrontation with Voldemort.

Regardless of Underworld symbolism, meeting up with Fluffy is very decidedly not a good thing. Though our heroes escape, through sheer dumb luck, the dog will later nearly rip Severus Snape’s leg right off.

Still, meeting up with the dog does set up the major plot that will play out through the rest of the story. As Hermione points out when they (successfully) make their way back to Gryffindor Tower, that dog was not just standing there. It was standing on top of a trap door. It was guarding something. Harry and Ron, and soon Hermione, will be speculating on what that dog is guarding – and conclude that it’s the package that Hagrid retrieved from Gringotts, the titular Philospher’s Stone. And eventually, they will brew wild fantasies about how Snape [sic] is trying to steal the Stone.

Their attempt to prevent that outcome will lead to their first adventure together to save the Wizarding World… and their first lesson that appearances may not always be quite what they seem.

7 Responses to Fluffy and the Gates of Hell

  1. Though our heroes escape, through sheer dumb luck, the dog will later nearly rip Severus Snape’s leg right off.

    *tries to recall the relevant quote, and fails miserably*

    Incidentally, I’ve always thought that the main players (Trio, DD, Snape) were a bit OOC in Book One…. your thoughts?

    • I can sort of see what you mean, although I don’t think it’s as much a matter of their being OOC as it is that their “voice” is different (sorry, can’t think of any other way to describe it).

    • Interesting question… I think with the Trio, they are just getting to know each and and DD/Snape. And perceptions of DD and Snape are all coming through Harry’s filtered consciousness. But I’ll bet Snape was truly livid when Harry saw his mangled leg. It was like having James Potter see him in a moment of vulnerability. Harry’s not James, but he sure makes for a good surrogate.

      So I wouldn’t say the main players are OOC, just off-key, i.e. awkward. I don’t think it’s a characterization problem so much as it is a sort of realistic depiction of the awkwardness of developing relationships and getting to know your surroundings. Harry doesn’t really know much yet about who DD is. And it takes him forever to figure out who Snape really is.

      But I don’t think his perceptions of Snape in PS/SS are really that different from his perceptions later… though they are perhaps not quite so toxic yet (ironic, that – given that he’s basically accusing Snape in the first book of plotting horrible crimes).

      Anyway, does that make sense?

  2. Trio’s perceptions have nothing to do with Snape talking about ‘beauty’ and ‘delicacy’, nor the rhyming riddle.

    Can you honestly picture Severus Snape thinking “My turn to guard the Stone? Oh, I know! I’ll write A POEM!”

  3. One of the things I most enjoy about HP is the fact that Rowling KNOWS how to use words.

    Do we ever see Snape giving away glimpses of his personal aesthetics again? Once you’re through other books again, come back to the opening speech of the 1st Potions class. And… stare.

    • Ah, as I suspected. Dags, I believe you’re snarking on the wrong post! I think this is the post you’re talking about!

      That said, yes, Rowling writes the language and creates the poetic/rhetorical devices. The devices she uses are certainly interesting from the standpoint of explication. But she puts the speech in Snape’s mouth… as a means of drawing his characterization. And yes, actually, I do find him to be rather sophisticated with language, though much less rhetorical than this most of the time. (The exception to his sophisticated use of language, of course, occurs when he’s completely flustered or in capslock rage).

      Anyway, it makes sense to me that this speech would be his single great rhetorical/poetic flourish in the series. After all, this is his crafted first-day speech for first-years. He only has to perform it once for each of his Double-Potions classes. He can use and re-use the same speech year after year.

      I hope I was not mistaken wrt which post you were writing about. But if you really are talking about the Fluffy post, then I’m still lost, since I’m not really sure where I mentioned Snape and poetry. :D

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